"Cardinal Hoax"
Karl Bozicevic
ISBN: 978-0-615-51767-4
Flow Focusing Press
San Francisco, CA
Available at Amazon
“Cardinal Hoax” is a book that
draws on many of the key traditions of the science fiction genre.
We're all familiar with the “find a new invention, use it as a
vehicle for stories,” element of sci-fi. Star Trek has its
transporters, and warp drives: Stargate has the Gate and wormhole
technology: Welles has his time machine, and Isaac Asimov has the
science of “psychohistory” by which human behavior might be
predicted. In the end, the story is the thing. The new gizmo is
always the new element, but it's what the author does with the gizmo,
and the stories he tells around it, that really bring books long
lasting recognition.
Some of the most interesting science
fiction since the early days of the genre, came from thinking deeply
about humanity, putting the reader in a different frame of reference,
and looking back to see what we would look like from the perspective
of an alien, or folks in a far future or a distant past. It demands
that the author look closely at who we are, what we believe, and how
we behave. Horses were transportation until carts came along,
which were transportation until autos were invented, and on to
buses, trains, airplanes, and space shuttles. With each new mode,
some of the distances both between cities, and between peoples were
changed along with them. Stories of riding on the first trains or
planes now no longer hold our interest. We want to be on the rocket
ships to the stars.
Those stories that stay with us year
after year are about the places we can't get to yet; they get looked
at again and again by different authors, expanding and developing our
understanding of the devices and the technologies behind them, and, I
would maintain, expanding our understanding of ourselves. Time
travel stories, robot stories, and life extension technology stories
are told and retold, decade after decade, because we haven't quite
gotten there yet, and are still wondering what will happen.
Karl Bozicevic has taken on some of
humanity's most daunting issues, especially as a new author, but it's
clear he's been thinking about humanity, with its flaws and foibles,
for a long time. His gizmo has the capacity to completely change
how people do just about everything, including how they think about
life the universe and everything, but he also manages, in explaining
what Herbert's invention is and what it does, to teach a fair bit of
physics along the way, avoiding the textbook approach, for which I am
profoundly grateful.
In the book, the Cardinal Hoax is the
vehicle for introducing the new invention. Before the word “hackers”
took on its current security risk meaning, “hackers” meant folks
with a sharp wit, a penchant for complicated practical jokes, and the
intelligence to create extraordinarily dazzling pranks and hoaxes.
Computers came later. The Hackers from MIT were real and renowned in
their day for pulling off “impossible” stunts against all odds.
Herbert, as one of their number, continues the tradition in ways
likely to startle even that jaded bunch.
Herbert is the type of character well
known to most academics and technical professionals, and a staple of
hard science fiction. He is the archetype of the the brilliant,
socially-awkward scientist, driven by concepts beyond the everyday,
who just can't stop asking questions and trying to answer them, with
a really quirky sense of humor other people just can't “get.”
These severely techie folks tend to need “keepers” to remind them
of appointments, to be sure they do the paperwork, and sometimes
even to remind them to eat. His most constant companion is his dog,
and even he can't always be relied upon to behave. I still have some
confusion as to whether choppy dialogue early in the story is meant
to underline Herbert's lagging social skills, or just happenstance
that needs to be more closely looked at to make it flow better, but
generally the writing is good. There aren't many places where the
reader stops and scratches his head, because something didn't flow
right, although there are a couple minor ones.
Korin is the Dagney Taggart archetype
(think Atlas Shrugged), tough, competent, fearless, willing to go
after the “next big thing” wherever it takes her. Oscar is the
quintessential academic, the anthropologist, trying to make
everything fit into a completely sensible whole, in spite of
humanity's inherent inconsistency. Alan is the video guru conspiracy
theorist trying not to say just what he thinks so he's not labeled as
a nut ball. All in all, it's a good mix for a lot of very telling
conversations, about who we are, what we believe, and how strangely
we react when our most sacred cows are questioned.
There are some folks bound to be
seriously offended by some of these conversations. For years, the
author Alan Watts (his focus was comparative religion) forced us to
look at our belief systems by sort of tipping them over and looking
at them from new perspectives. This book does some of that but with
a bit more of a heavy hand. Some readers are bound to find this
disconcerting, if not positively offensive, so the reader should know
that in advance. What it does do, is make us think about what we
believe and why, and for many readers, this is a way to focus their
thoughts on the distinctions between religion and faith, and how they
interact with science, and to see themselves more clearly as a
result. This book is dedicated to the process of thinking things
through.
A year before the Foundation Trilogy
and before many of his prolific number of sci-fi books were written,
Isaac Asimov wrote “A Pebble in the Sky” (1950), a book I did not
read until well after I'd finished the Foundation series.
Amazingly, it was a harbinger of what was to come. Nearly all of the
major elements and story lines in the Foundation series were laid out
in this one small volume. In all likelihood, none of the people who
read it saw more than some fairly straightforward stories that were
not as fleshed out as they could have been. How could they know
Asimov would spend the rest of his life doing just that? “Cardinal
Hoax” has some of that same feel. The concepts are very
controversial, the new technology so capable of changing everything,
that there are likely to be a great many stories and side-stories yet
to come from this work. Whether more stories flow from this author
(no pressure, Karl!) is yet to be seen, although it is certainly
hinted at when this book ends, and I for one, will be watching for
more.
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